
Wrong Crowd

American Gothic
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The line between realism and abstraction is rich territory for invention. Art created there is often full of pictorial tension, as an image transforms from just a colored shape to a figure’s head, creating excitement for the viewer and artist. A horizontal line between two fields of color can magically create a landscape.
I desire creativity, and invite the accidents in art making. Ideally I end up making an image that surprises me. Like jazz, my best work is created as it’s made, not from a pre-conceived idea. I like images that are direct, and not clogged up with too many details. The unfinished quality leaves room for the viewer to enter. I consciously leave potential in a picture. My best work reveals my character and preferences.
In the studio I try to have several different factors interacting at once; like starting with a concept, then adding to that a color or compositional idea. When a painting is finished, it naturally creates questions that could be addressed in the next piece.
I make art partly because I connect to the materials; and then those materials connect me to the bigger world. I often feel I’m making color arrangements rather than a landscape or figure.
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